About Linda DeMerle

Poet, painter, matcher of socks, archive of random snippets de trop. I've made ice cream cones, sold retail from lumber to books, dressed windows, written resumes, fed chipmunks, answered phones, cared for children which included frequent extraction of 2 legs from 1 pant leg and exploring the restrooms of America. Taught a little art, did a little PR, published poems and creative nonfiction, powdered Robert Novak's nose. I once met Ray Davies. Lovely man. Married with start-up adults. Publication credits include Acoustic Guitar Magazine, The Syracuse New Times, The Syracuse Newspapers, Wide Open Magazine, Illya's Honey, Recursive Angel, 2River View, fishwrap and other small press journals; former editor/publisher of Disclosures literary ezine. Three exhibits of paintings. I love nature, painting, music, beach combing and designing stained glass. Interests include spirituality, art, history and handbags. We live beside the woods with whomever is here at the time with our little black cat amid thousands of loose photographs.

Love

Love is eternal. It can’t be stolen even by death, even when your heart aches. The pain only confirms the greatness of your love.

The Long Love

I said I’d love you, always
Reluctantly, I find I do
I could summon hateful
justification and
command it
to accompany me
I could nurture bitterness
keep it strong to close the
door on us, forcing it
swollen with history
into the jam and
bolting it
against the face
of a long, long, love.

The 2River View
1_3 (Spring 1997)

The Way To Kill A Poem

The way to kill a poem
is to put it on hold…let
minutia drag you off
over, under, anywhere
until you dig in and
stop

dust off and start again, this time
slightly off-center
a little less inspired
you start to connect the dots
when the phone rings
“I’ll let the machine get it,” you decide
but listen anyway

because it might be something important
like Publisher’s Clearing House Sweepstakes Notification Office
or, more importantly
your aunt
and it is, so you pick up and putter
while she tells you her news
and you shelve the poem
for love
because, after all…
a poem
never read you stories
or baked you cookies

So you hang up
shake out the poem, fluff it up lovingly, tenderly
look it in the eye, study it, trace the first line…though…you might have
forgotten something…oh, yes…the kettle’s whistling

because your phone visit went on a bit, but
confident in your ability to brew coffee and a poem at the same time
you grind the beans and pour the water into the filter while
others start padding through
with arms full of laundry
greetings
requests
the opening
of cans
of tuna
so that the cat bursts in
wailing
a sliding siren underfoot
to ensure
it’s remembered
she likes tuna, too
even though
she’s licked every can
opened in this kitchen
since 1999
and so, finally
you admit defeat

the poem
has shriveled up in a tight little wad
like a once-luscious blossom
face turned up at the sun
its petals, once translucent and glowing with glory
it cows and prays
to roll off in the breeze.

Go ahead, you can step on it now

You’ll never get it back, that moment when a thought unfurls and beckons other delectable, delicious words who swoon into it and that moment breaths them into itself, winding, twisting, weaving into something with a life of its own, a startling place of discovery when you didn’t think there was anything left to find of yourself or how you think or wish or hope and it might be perfection or at least it’s euphoric and then the phone rings.

The moment is a god.